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| NYT > Music | Published: July 13, 2010 | |||||||||||||||
Classical Music/Opera Listings
August 24, 2010
NYT > Music:
A selected guide to performances of classical music in New York and the region.
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Music Review: Mozart Takes the Stage at His Festival
August 24, 2010
NYT > Music:
Mozart has seemed a more frequent visitor at his own party in this year’s Mostly Mozart Festival, as in the Emerson String Quartet’s all-Mozart program on Monday.
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CD Reviews: Rosso: Italian Baroque Arias
August 24, 2010
NYT > Music:
THE cover of Patricia Petibon’s new CD loudly alludes to the tempest within.
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CD Reviews: Praising Peace and Ignoring Calendar Details
August 24, 2010
NYT > Music:
William Croft’s well-mannered “Ode for the Peace of Utrecht (With Noise of Cannon)” will surely not displace Tchaikovsky’s “1812” as a sonic blockbuster.
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CD Reviews: Rhapsodic Musings: 21st-Century Works for Sol...
August 24, 2010
NYT > Music:
A listener can forgive Jennifer Koh the eagerness of her subtitle, given the incandescent readings she offers.
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Music Review: Mozart as Appetizer, Schumann as a Main Course
August 24, 2010
NYT > Music:
The Mostly Mozart Festival Orchestra, in Avery Fisher Hall on Tuesday, offered Weber, Mendelssohn and Schumann, the last in a nod to his 200th birthday.
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Music Review: One Night, Two Shows, Four Masters
August 24, 2010
NYT > Music:
It was possible to tease out common threads in two disparate concerts by the Freiburg Baroque Orchestra and the pianist Jeremy Denk.
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Music Review: Ludwig and Amadeus, Meeting for a Nightcap
August 24, 2010
NYT > Music:
In a late-night concert for Mostly Mozart’s Little Night Music series, these four young Parisians played contrasting pieces by Beethoven and Mozart.
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Bocelli to Perform at Metropolitan Opera
August 24, 2010
NYT > Music:
Andrea Bocelli, the Italian tenor, will make his Met solo recital debut on Feb. 13.
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Music Review: A Rarely Heard Mozart Cantata Completes a W...
August 24, 2010
NYT > Music:
A Mostly Mozart Festival that has included ancient Georgian polyphony and an avant-garde work by Helmut Lachenmann concludes with Mozart himself.
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